Week 11: Using Satellite Data to Investigate Deforestation
On this page
- Download Landsat data
- Open and explore the seven Landsat bands
- Create a true color image
- Create a false color image
- Create your own RGB true and false color images
- Visit the Landsat Event Gallery
- What to post to your discussion group
- Las Vegas, Nevada
- Sioux City, Iowa
- Baton Rouge, Louisiana
- Great Salt Lake, Utah
- Owens Valley, California
- Santa Cruz Valley, Arizona
- Mono Lake, California
Working with Multispectral Data in ImageJ
In this section, you will learn how satellites and aircraft use a single black and white camera with colored filters to capture data that can be used to re-create both natural and false color images.
Download Landsat data
Before you begin, you must download a set of seven Landsat imagesone image for each of the Landsat Thematic Mapper instrument's 7 bands.
- Create a subfolder in your Week 11 data folder and name it Bolivia.
- Right-click (Win) or control-click (Mac) each of the links below and download each of the following seven TIFF files to the Bolivia folder you created.
Open and explore the seven Landsat bands
Before you merge the bands together to make color images, you'll open and examine them on their own.
- Launch ImageJ .
- Choose File > Import > Image Sequence..., navigate to the Bolivia folder, and import the seven images, representing the seven Thematic Mapper bands, into ImageJ as a stack.
- Move forward and backward through the stack. As you do, note the label of each slice, which lists the TM band it represents. Notice what appears light and what appears dark in each band. Notice which bands have a lot of contrast and which don't. Think about what this is telling you.
- After you have explored the images, close the stack.
Band 1 (blue) - Since the atmosphere scatters more blue light than other colors, band 1 images nearly always have low contrast.
Band 2 (green) - The peak sensitivity of the human eye is in the yellow-green part of the spectrum. The green band most closely represents the brightness and contrast of the scene as you would see it with your eyes.
Create a true color image
You are going to use these images to re-create a "true color" version of the scene by combining three bands that represent what is seen in red, green, and blue wavelengths.
- Choose File > Open and open all seven of the Bolivia images, band1 through band7.
- Choose Image > Color > Merge Channels....
- In the Color Merge window, assign the band 3 image to the red channel, the band 2 image to the green channel, and the band 1 image to the blue channel. Leave the Create Composite option unchecked, but check the Keep Source Images option.
- Click OK. The result is a true color RGB image. It is called a 321 image, because of the bands assigned to the red, green, and blue channels of the image. (They are also called RGB321 images.)
- The Near IR band (4) is assigned to the Red channel.
- The Red band (3) is assigned to the Green channel.
- The Green band (2) is assigned to the Blue channel.
- Choose ONE set of Landsat images from the collections below.
- Download the 6-8 images (representing 6-8 Landsat bands) in that collection to your Week 11 folder.
- Open the images in ImageJ.
- Use Image > Color > Merge Channels to create both true and false color images by assigning different bands to the Red, Green, and Blue color channels.
- Save a copy of your favorite RGB color image AS A JPEG (Be carefulImageJ always defaults to saving images in TIFF format!) to your Week 11 directory.
- Find a Landsat image that you think you could use in your teaching.
- Click the image and read the description, including the bands used to create the image. (Is it true or false color?)
- The true or false color RGB image you created, along with a description of the three spectral bands you chose, and what features of the image were highlighted by the combination of spectral bands you chose. Your image should be in JPG format
- The name of the image you selected from the Landsat Event Gallery, along with a description of the spectral bands used to create the image and what land features are highlighted by those spectral bands.
- Share one or more ideas about how you might incorporate the use of these multispectral images into your teaching. If you're having trouble coming up with ideas, pose a question to others in your discussion group asking for suggestions specific to your images.
Create a false color image
In your initial examination of the seven Landsat color bands, you noticed that some types of land cover appear very different in some bands than others. You are going to use other bands to create a "false color" version of the scene. In this case, you will create a 432 image.
Vegetation and 432 false color images
You've probably seen this type of image used to show vegetation. In a 432 image, the bands are assigned as follows:
In this type of image, older, forest-type vegetation appears dark red, while crops and younger vegetation appear brighter red. Cities appear blue or gray, and bare ground appears grayish-brown.
Other false color band assignment combinations are used to study specific types of ground coverwater, minerals, vegetation, etc. Some of the links in the Resources section at the bottom of the page show examples of these different false color images and explain how they are used.
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Your Weekly AssignmentsRGB Color Images
Your assignment this week has TWO parts:
Part 1Create your own RGB true and false color images.
Part 2Visit the Landsat Event Gallery.
Go to the Index of Landsat Images and:
What to post to your discussion group
Create a new thread in your discussion group and post the following:
Landsat Image CollectionsChoose ONE
Choose ONE of the Landsat image collections below, download the images to your computer and use them to create true and false color RGB images using ImageJ
Las Vegas, Nevada
- Vegas-band1.tif (TIFF 258kB May1 10)
- Vegas-band2.tif (TIFF 258kB May1 10)
- Vegas-band3.tif (TIFF 258kB May1 10)
- Vegas-band4.tif (TIFF 258kB May1 10)
- Vegas-band5.tif (TIFF 258kB May1 10)
- Vegas-band7.tif (TIFF 258kB May1 10)
Sioux City, Iowa
- Iowa-band1.tif (TIFF 258kB May1 10)
- Iowa-band2.tif (TIFF 258kB May1 10)
- Iowa-band3.tif (TIFF 258kB May1 10)
- Iowa-band4.tif (TIFF 258kB May1 10)
- Iowa-band5.tif (TIFF 258kB May1 10)
- Iowa-band7.tif (TIFF 258kB May1 10)
Baton Rouge, Louisiana
- Louisiana-band1.tif (TIFF 879kB May1 10)
- Louisiana-band2.tif (TIFF 879kB May1 10)
- Louisiana-band3.tif (TIFF 879kB May1 10)
- Louisiana-band4.tif (TIFF 879kB May1 10)
- Louisiana-band5.tif (TIFF 879kB May1 10)
- Louisiana-band6.tif (TIFF 879kB May1 10)
- Louisiana-band7.tif (TIFF 879kB May1 10)
Great Salt Lake, Utah
- Salt_Lake-band1.tif (TIFF 930kB May1 10)
- Salt_Lake-band2.tif (TIFF 930kB May1 10)
- Salt_Lake-band3.tif (TIFF 930kB May1 10)
- Salt_Lake-band4.tif (TIFF 930kB May1 10)
- Salt_Lake-band5.tif (TIFF 930kB May1 10)
- Salt_Lake-band6.tif (TIFF 930kB May1 10)
- Salt_Lake-band7.tif (TIFF 930kB May1 10)
Owens Valley, California
- Owens_Valley-band1.tif (TIFF 938kB May1 10)
- Owens_Valley-band2.tif (TIFF 938kB May1 10)
- Owens_Valley-band3.tif (TIFF 938kB May1 10)
- Owens_Valley-band4.tif (TIFF 938kB May1 10)
- Owens_Valley-band5.tif (TIFF 938kB May1 10)
- Owens_Valley-band6.tif (TIFF 938kB May1 10)
- Owens_Valley-band7.tif (TIFF 938kB May1 10)
Santa Cruz Valley, Arizona
- Santa_Cruz_AZ-band1.tif (TIFF 977kB May1 10)
- Santa_Cruz_AZ-band2.tif (TIFF 977kB May1 10)
- Santa_Cruz_AZ-band3.tif (TIFF 977kB May1 10)
- Santa_Cruz_AZ-band4.tif (TIFF 977kB May1 10)
- Santa_Cruz_AZ-band5.tif (TIFF 977kB May1 10)
- Santa_Cruz_AZ-band6.tif (TIFF 977kB May1 10)
- Santa_Cruz_AZ-band7.tif (TIFF 977kB May1 10)
Mono Lake, California
- Mono_Lake-band1.tif (TIFF 1MB May1 10)
- Mono_Lake-band2.tif (TIFF 1MB May1 10)
- Mono_Lake-band3.tif (TIFF 1MB May1 10)
- Mono_Lake-band4.tif (TIFF 1MB May1 10)
- Mono_Lake-band5.tif (TIFF 1MB May1 10)
- Mono_Lake-band6.tif (TIFF 1MB May1 10)
- Mono_Lake-band7.tif (TIFF 1MB May1 10)
- The Landsat Program
- USGS Landsat Global Visualization Viewer
- USGS EarthExplorer
- Landsat Band Combinations
- Interpreting Landsat Band Combinations